Archives for posts with tag: Brutal Knights

Valley Boys

Mastering Valley Boys Drone Attack EP.

Coming out on Ugly Pop Records.

“VALLEY BOYS – Drone Attack EP (UP048)
Toronto’s VALLEY BOYS speed through four tracks of hyperactive punk here, frenetic tempos, desperate vocals and some tasty guitar work placing this solidly in the tradition of early ’80s hardcore. “Drone Attack” is no one-dimensional thrashfest, however; these veterans deliver memorable songs and relentless energy that sets this apart from any number of generic contemporary rehash outfits, and there’s real character here. While sounding like no one exactly, this is exemplary trad hardcore that would fit in nicely with the likes of The Fix, early Poison Idea and The Germs LP.”

 

Snob Value

 

Mastering Snob Value‘s forthcoming EP on Spastic Fantastic,  Matula, and  Access X Denied Records.

If you don’t know Snob Value, MRR’s review of their mini-LP  does a good job describing them, or you can listen to a track from the new 7″ below.

Record of the week:  Snob Value – Whiteout mini-LP

http://maximumrocknroll.com/

Let me start by saying that these boys have been busy busy busy, with their kicking-and-punching first tape, aptly named Keep It Short and Simple – K.I.S.S., in 2009, then another killer tape in 2010, which I also friggin’ loved, so I have anticipated this for quite a while! I can tell that they’ve definitely worked on this LP, and these tracks are doused in indignation, antisocial aggression and contempt for humanity. I can relate: “I don’t give a shit about what you did, when you were my age in 1986 … Sometimes I wish I were deaf, I would have peace at last.” Yes, antisocial hardcore for angry people, reminiscent of USHC classics like the CIRCLE JERKS, DEAD KENNEDYS, MINOR THREAT and more contemporary outfits such as the REGULATIONS and BRUTAL KNIGHTS. The compositions are still tight and catchy but the band has developed them more, with slower, groovier hooks, slower intros, meaner guitar interludes and solos, layers, and the ever-present spiteful vocals; the kind of spite discovered in late adulthood, when you realize adulthood sucks and your peers are a joke!

While SNOB VALUE‘s work has never lacked lyrical aggression or sonic force, these tracks have a more polished production, which makes conventional sense for a debut LP I suppose, though they don’t entirely lack that seedy, subversive sound. Also, the artwork is quite minimal (“contrast reduction, disappeared horizon”) and while it’s handmade and still looks good, it doesn’t compare to their previous punk-ass designs. “1986,” “Hammer & Öl,” and “Whiteout” are the standout tracks. “1986″ is dark, honest, ballsy and foaming at the mouth — theirpièce de résistance for this album, if you ask me; “Hammer & Öl” is sung in the band’s native German and, of course, sounds all the more menacing for it; and the title track is a SNOB VALUE essential: short and simple, fast, effective, mind-pounding. I’m already flipping this faster than I can keep track of. While I do appreciate the more serious take they seem to have taken on this release, I honestly hope they keep some distortion and dirt intact. It’s that blunt frustration that makes ‘em so great! Minor detail: I love it when bands have little messages scratched onto the wax; on ether side of this white 12″ was: “World peace can be fun—Anarchy’s a blast.” Fuck yes!

(Crapoulet Records / Prügelprinz / Spastic Fantastic)

September 18th, 2012 by Lydiya”

 

Valley Boys

Prepping the Vinyl Master for the Valley Boys LP.

“A punk rock band from Toronto Ontario Canada.
Not the electronic band from somewhere else.
or the wedding band from california.
this is the real fucking Valley Boys.”

You can listen to the full album below.