Archives for posts with tag: French Punk

Sordid Ship

Mastering Sordid Ship ‎– Cocaïne Offshore.

Released August 1, 2016

“La communauté Lorientaise est active, après Sparkrow et Radical Failure, Sordid Ship a vu le jour il y a deux ans avec des membres des précédents groupes cités.

La recette est éprouvée mais fonctionne à merveille avec un punkrock énergique, rythmé et accrocheur le tout avec un son bien Lo-Fi. Les riffs sont simples mais c’est cette simplicité qui fait mouche. Ça joue à l’ancienne et les anciens apprécieront.

Cocaïne Offshore est donc un nouvel EP de 6 titres accompagné d’une petite intro qui est un enregistrement du bruit des vagues. Le thème de la mer est d’ailleurs le fil conducteur et l’identité du groupe c’en est sympa et original.

J’aime bien In Blood we surf ou encore Cut The Rope le tout sonnant quelque part entre Santa Cruz et Agnostic Front. Un bon mélange pour un groupe aussi sympa à écouter que talentueux.”  Taken from Les Rêveries

Buy it Here!

 

Pierre & Bastien

Mastering Pierre & Bastien “Que du Bonheur” on Pollymaggoo Records.

Recorded by Maxime Smadja at Studio Les Thermes.

“If you were lucky enough to hear and hold dear their debut LP from last year, it won’t be hard to convince you of their lust for Wire-wrapped rhythms and those fluid French lyrics laid artfully on top of such slashing guitars and intimidating vocal harmonies, uggh, so good! Straddling the razor’s edge of late 70s French thug punk bravado and early 80s post punk into a concise and well-produced modern classic, Que Du Bonheur strikes an icy aloofness right across the board into such impeccably well-written guitar lines, all destined to stick in your head instantly. The vocals can only really be described as excruciatingly refined, deadpan yet defiant and brilliantly brutish, you can try to stave off their allure, but why even put up the effort? Tough and seductive, and swollen with cuts from all those barbed hooks, this new LP should solidify their legend even further” (Todd Killings, VICTIM OF TIME)

Pierre & Bastien

Mastering Pierre & Bastien “Que du Bonheur” on Pollymaggoo Records.

Recorded by Maxime Smadja at Studio Les Thermes.

“If you were lucky enough to hear and hold dear their debut LP from last year, it won’t be hard to convince you of their lust for Wire-wrapped rhythms and those fluid French lyrics laid artfully on top of such slashing guitars and intimidating vocal harmonies, uggh, so good! Straddling the razor’s edge of late 70s French thug punk bravado and early 80s post punk into a concise and well-produced modern classic, Que Du Bonheur strikes an icy aloofness right across the board into such impeccably well-written guitar lines, all destined to stick in your head instantly. The vocals can only really be described as excruciatingly refined, deadpan yet defiant and brilliantly brutish, you can try to stave off their allure, but why even put up the effort? Tough and seductive, and swollen with cuts from all those barbed hooks, this new LP should solidify their legend even further” (Todd Killings, VICTIM OF TIME)

Pierre & Bastien

Mastering Pierre & Bastien “Que du Bonheur” on Pollymaggoo Records.

Recorded by Maxime Smadja at Studio Les Thermes.

“If you were lucky enough to hear and hold dear their debut LP from last year, it won’t be hard to convince you of their lust for Wire-wrapped rhythms and those fluid French lyrics laid artfully on top of such slashing guitars and intimidating vocal harmonies, uggh, so good! Straddling the razor’s edge of late 70s French thug punk bravado and early 80s post punk into a concise and well-produced modern classic, Que Du Bonheur strikes an icy aloofness right across the board into such impeccably well-written guitar lines, all destined to stick in your head instantly. The vocals can only really be described as excruciatingly refined, deadpan yet defiant and brilliantly brutish, you can try to stave off their allure, but why even put up the effort? Tough and seductive, and swollen with cuts from all those barbed hooks, this new LP should solidify their legend even further” (Todd Killings, VICTIM OF TIME)