Archives for posts with tag: Observers

The Revisions now have a Bandcamp page where you can download the Revised Observations Album.

“In 2006, Justin Maurer of the Clorox Girls asked Douglas Burns of the Observers and Red Dons to perform an acoustic set at one of Maurer’s book readings for, “Don’t You Take Your Life.” Burns, along with fellow Red Dons member Hajji Husayn and Derek Skokan, adapted songs he wrote while in the Observers and Speds into an acoustic format for the show. These adaptations proved to be popular amongst friends and they were urged to continue performing despite not having a name for the group. After playing two more shows, they figured the project was done so they entered the studio to document the handfull of songs they had preformed. However, under the encouragement of engineer Pat Kearns the recording session evolved into an album featuring new songs along with the Observers and Speds songs. The band called the record “Revised Observations” and named themselves the Revisions after a dream Doug’s mom had about the band. Soon thereafter, Derek Skokan left the group but Richard Joachim of the Red Dons took his place and they continued on with the project.”

 

 

Red Dons Auslander 7″ mixed and mastered here, Razorcake Review.

 

“RED DONS:
Ausländer: 7”
I’m of the opinion that Red Dons are the best band walking the planet today. I fuggin’ love this band! They have this way of making music that causes everything else around you to melt away and all that is left is the music. You are completely in that moment. It’s a great feeling. The songs soar, race, and have undeniable soul. Catchy without being corny. Insightful without being overwrought. Just fucking great music. The title track is godhead! I’ve listened to it over and over so many times, and have yet to tire of it. Is that even possible? It’s such a great song. A nice, quick tempo and the vocals float over, pulling you into the song, and the chorus burns into your mind. I like how the guitar comes in at the end and builds and closes out with a noisy swirl. The kind of song that makes you want to start a band and take over the world. On the B side is “Mauvaise Foi,” which slows down a little bit with a jerky and bouncy rhythm here and there. When the melody comes in, nothing else matters. I really like the line, “Anointed one, where did I go wrong,” as it leads into the verse. This single is a classic. –Matt Average (Dirtnap, dirtnaprecs.com)”

Original Post Here

 

 

Red Dons Auslander 7″ mixed and mastered here, Razorcake Review.

 

“RED DONS:
Ausländer: 7”
I’m of the opinion that Red Dons are the best band walking the planet today. I fuggin’ love this band! They have this way of making music that causes everything else around you to melt away and all that is left is the music. You are completely in that moment. It’s a great feeling. The songs soar, race, and have undeniable soul. Catchy without being corny. Insightful without being overwrought. Just fucking great music. The title track is godhead! I’ve listened to it over and over so many times, and have yet to tire of it. Is that even possible? It’s such a great song. A nice, quick tempo and the vocals float over, pulling you into the song, and the chorus burns into your mind. I like how the guitar comes in at the end and builds and closes out with a noisy swirl. The kind of song that makes you want to start a band and take over the world. On the B side is “Mauvaise Foi,” which slows down a little bit with a jerky and bouncy rhythm here and there. When the melody comes in, nothing else matters. I really like the line, “Anointed one, where did I go wrong,” as it leads into the verse. This single is a classic. –Matt Average (Dirtnap, dirtnaprecs.com)”

Original Post Here

 

Red Dons new 7″, mixed and mastered here, reviewed in Maximum Rock n Roll!

 

Red Dons new 7″, mixed and mastered here, reviewed in Maximum Rock n Roll!

 

New Red Dons and Estranged split Interview in Maximum Rock n Roll!

It’s the end of the world and we feel fine!

The new (and potentially last???) issue of your favorite punk rock magazine has hit the streets! The December issue,MRR #355, comes busting at the seams with the best punk from around the world — 100% by the punks for the punks!

This month we talk to our Doomsday cover artist Avi Spivakand we have a split interview with Portland-based punks, the RED DONS and the ESTRANGED. We catch up with Sweden’s crust megaliths AGRIMONIA, and Russia’s hardcore punxANTIMELODIX tell us their story and and explain love of Finland.NAPOLNARIZ talk about what it’s like growing up punk in Puerto Rico and LA ARMADA examine their experience of coming to the US from the Dominican Republic. Peru’s anarchia punks DHK tell us about their scene in Lima, while BREATHING LIGHT from Chicago discuss race, culture and what it’s like to be a punk of color within the punk scene and beyond. The VICTIMS take us on a trip in the second part of their European tour diary, and our scene report from Hamilton, Ontario, Canada sheds some light onto this active part of the Great White North. This, plus all the columnists you love to hate (and hate to love!) and the most extensive record reviews in punk!”

Order your copy here

 

Red Dons new 7″, mixed and mastered here, reviewed at Get Bent!

“By Zac Camagna

Red Dons recently dropped some fresh material for their first from Dirtnap Records. Auslanderfeatures two brand new songs, both of which were written in 2010-11 between cities like Chicago, Brazil, London, Portland and Hamburg. To continue the nomadic behavior, the tracks were then recorded in a Cold War era bomb shelter in Sweden during 2011 by Lars Ekman, leaving Dirtnap to take care of the rest.

“Auslander” starts with a bang, quickly setting the tone of this 7” with a rollicking introduction. The weight of the track is clear as soon as it busts open, revealing a piercing guitar hook that quickly swallows the song with a sense of dire urgency. The track continues with its perpetual fury, led by shredded rhythm guitars that are as heavy as they are direct. It’s a monumental sound and that crushing lead guitar hook is responsible for most of the damage, coming off with sharp melodic tendencies through the daunting post-punk meltdown.

B-side “Mauvaise Foi” doesn’t fall far from the vein of the first, sustaining the destructive pace with another scorching beatdown. With that being said, these two songs combine for almost nine minutes of blood-boiling post-punk outrage, almost like the world itself is crumbling right before your ears. Give the fiery “Auslander” a spin right below, and snag the 7” directly from Green Noise Records—you won’t be sorry.”

Original Post Here

 

Red Dons new 7″, mixed and mastered here, reviewed at Get Bent!

“By Zac Camagna

Red Dons recently dropped some fresh material for their first from Dirtnap Records. Auslanderfeatures two brand new songs, both of which were written in 2010-11 between cities like Chicago, Brazil, London, Portland and Hamburg. To continue the nomadic behavior, the tracks were then recorded in a Cold War era bomb shelter in Sweden during 2011 by Lars Ekman, leaving Dirtnap to take care of the rest.

“Auslander” starts with a bang, quickly setting the tone of this 7” with a rollicking introduction. The weight of the track is clear as soon as it busts open, revealing a piercing guitar hook that quickly swallows the song with a sense of dire urgency. The track continues with its perpetual fury, led by shredded rhythm guitars that are as heavy as they are direct. It’s a monumental sound and that crushing lead guitar hook is responsible for most of the damage, coming off with sharp melodic tendencies through the daunting post-punk meltdown.

B-side “Mauvaise Foi” doesn’t fall far from the vein of the first, sustaining the destructive pace with another scorching beatdown. With that being said, these two songs combine for almost nine minutes of blood-boiling post-punk outrage, almost like the world itself is crumbling right before your ears. Give the fiery “Auslander” a spin right below, and snag the 7” directly from Green Noise Records—you won’t be sorry.”

Original Post Here

 

“[POST-PUNK POP] Red Dons’ moddish post-punk has never lacked for melody, but the Dons’ new Dirtnap Records 7-inch might be the Portland quartet’s most comely pop product yet. A-side “Auslander” comes within spitting distance of the five-minute mark without ever threatening to overstay its welcome, which is a rare feat. The anthem flies by in classic Adverts fashion, with punk fury mellowed by a helping of melancholic world-weariness; it’s one of those expansive love songs in which romance escapes the trite ties of pair-bonding and attaches itself to existential equations. Which is to say you don’t need to be in love to love “Auslander.” You need only be alive. – Willamette Week

 

“[POST-PUNK POP] Red Dons’ moddish post-punk has never lacked for melody, but the Dons’ new Dirtnap Records 7-inch might be the Portland quartet’s most comely pop product yet. A-side “Auslander” comes within spitting distance of the five-minute mark without ever threatening to overstay its welcome, which is a rare feat. The anthem flies by in classic Adverts fashion, with punk fury mellowed by a helping of melancholic world-weariness; it’s one of those expansive love songs in which romance escapes the trite ties of pair-bonding and attaches itself to existential equations. Which is to say you don’t need to be in love to love “Auslander.” You need only be alive. – Willamette Week