Archives for posts with tag: SP Records

Sweatshop Boys

Mastering Sweatshop Boys ” Always Polite, Never Happy” on Twintoe, Crapoulet, SP Records in Europe/Japan and Dirt Cult, Recess Records in the US.

Taken from Punkalovich:

Sweatshop Boys are beginning to become more and more important in the Israeli punk scene and hopefully in the punk world in general. Consisting mostly of Haifa boys including Ofri (ex-Friday Night Sissy Fight/Barren Hope), Dean (ex-Friday Night Sissy Fight) and Itai (The Orions, The Backliners, Achim Zabari, Kuskus Records), the band also includes singing drummer and powerhouse that is Nadav (Mondo Gecko, Spit, Shifka Chiefs, Brutal Assault, Uzbecks…help if I’ve left something out!)
   Although not what everyone may consider “punk rock”, the band do know how to write catchy as hell songs about things that matter to them. Their first album, The Great Depression, really helped demonstrate the Sweatshop Boys sound and this latest EP very much continues to do the same.  All four songs are songs I recognise from shows because they are just so damn memorable.
  The EP starts off with No Pity In The City, a pogotastic anthem about moving to a big city but with no real changes. Second track, Special Mood, takes the pace down a bit with an almost 60s beat-music era jangly pop sound, equipped with organ solo and a rhythm that will have you toe-tapping away. Try Hard, again on a bit of a 60s tip but punkier, is a simple and to the point song about “wannabe scene queens” with its intoxicating “You’re not special at all Ahhhh” refrain. The funny thing about writing songs of this topic is that it could be describing people who actually come to your shows. Therefore, it is remarkably ironic when you see someone at their show who has forced themselves to learn the lyrics and stand right at the front, making sure to be heard. I think that’s what I love about it, whether intentional or not. Last track, Slow Dive, leans off the social commentary a bit and instead focuses on a positive message about taking life easy. The band informs us that “Sometimes you got to let it go” and instruct us to “go with the flow.” Good advice, there, my friends! All songs have this fun vibe about them, almost definitely due to how everyone in the band gets a chance to sing and sing together, making everything sound more anthemic. 

   I kind of remember somewhere near the start of the band’s career that I didn’t really pay all that much attention to them. I wasn’t really keen on the Pet Shop Boys influenced name (I used to like the Pet Shop Boys) and I found it all a bit too “jingle jangly”, for want of a term. Whether the band itself has improved or my musical tastes have broadened, this new EP is a beautiful record and I hope to hear another full length later on in the year full of more catchy twist-inducing tunes.”

 

Sweatshop Boys

Mastering Sweatshop Boys ” Always Polite, Never Happy” on Twintoe, Crapoulet, SP Records in Europe/Japan and Dirt Cult, Recess Records in the US.

Taken from Punkalovich:

Sweatshop Boys are beginning to become more and more important in the Israeli punk scene and hopefully in the punk world in general. Consisting mostly of Haifa boys including Ofri (ex-Friday Night Sissy Fight/Barren Hope), Dean (ex-Friday Night Sissy Fight) and Itai (The Orions, The Backliners, Achim Zabari, Kuskus Records), the band also includes singing drummer and powerhouse that is Nadav (Mondo Gecko, Spit, Shifka Chiefs, Brutal Assault, Uzbecks…help if I’ve left something out!)
   Although not what everyone may consider “punk rock”, the band do know how to write catchy as hell songs about things that matter to them. Their first album, The Great Depression, really helped demonstrate the Sweatshop Boys sound and this latest EP very much continues to do the same.  All four songs are songs I recognise from shows because they are just so damn memorable.
  The EP starts off with No Pity In The City, a pogotastic anthem about moving to a big city but with no real changes. Second track, Special Mood, takes the pace down a bit with an almost 60s beat-music era jangly pop sound, equipped with organ solo and a rhythm that will have you toe-tapping away. Try Hard, again on a bit of a 60s tip but punkier, is a simple and to the point song about “wannabe scene queens” with its intoxicating “You’re not special at all Ahhhh” refrain. The funny thing about writing songs of this topic is that it could be describing people who actually come to your shows. Therefore, it is remarkably ironic when you see someone at their show who has forced themselves to learn the lyrics and stand right at the front, making sure to be heard. I think that’s what I love about it, whether intentional or not. Last track, Slow Dive, leans off the social commentary a bit and instead focuses on a positive message about taking life easy. The band informs us that “Sometimes you got to let it go” and instruct us to “go with the flow.” Good advice, there, my friends! All songs have this fun vibe about them, almost definitely due to how everyone in the band gets a chance to sing and sing together, making everything sound more anthemic. 

   I kind of remember somewhere near the start of the band’s career that I didn’t really pay all that much attention to them. I wasn’t really keen on the Pet Shop Boys influenced name (I used to like the Pet Shop Boys) and I found it all a bit too “jingle jangly”, for want of a term. Whether the band itself has improved or my musical tastes have broadened, this new EP is a beautiful record and I hope to hear another full length later on in the year full of more catchy twist-inducing tunes.”

 

Mother's Children

Mastering the new Mother’s Children LP “Lemon” on Taken By Surprise Records, Mammoth Cave Recording Co., Resurrection Records, and SP Records.

Read what they said about their ARE YOU TOUGH ENOUGH EP

“Canada seems to be the new fertile ground for smashing powerpop. MOTHER’S CHILDREN hail from Ottawa, the same place as great bands like SEDATIVES, STEVE ADAMYK BAND (who they share a member with), WHITE WIRES and many others are from and keep making me go GAGA. This 6 track 12” is the follow up to their well received THAT’S WHO! LP on DERANGED. Dirk Klotzbach from OX put it this way (I fully agree!):
I really hope that you all followed my call up from OX # 92 in the meanwhile and have bought yourself a copy of MOTHER`S CHILDREN “That´s Who” Debut LP. So just to make it clear once again, there is no excuse ! The same as great as mentioned LP is this follow-up 12″ from the Canadians. Power Pop Glam´n´Roll driven to perfection that should be spinning on your record player multiple times a day and that still is on a par with it´s musical archetypes. Take your personal hits from the first three Powerpearls Compilations add it up with the two episodes of Killed By Glam, listen to “Milk & Alcohol” and “She´s A Windup” by DR. FEELGOOD once again, don´t forget your BOYS, STIFFS and FAST CARS records and imagine you would be warped right back to the Seventies where you would be seeing all those bands live on stage, because this is the moment when you realize that you are dancing and beerspitting right in front of the stage of a MOTHER`S CHILDREN show. Maybe you´ll even meet Noddy Holder or Gary Holton there on your timewarp.””

 

Mother's Children

Mastering the new Mother’s Children LP “Lemon” on Taken By Surprise Records, Mammoth Cave Recording Co., Resurrection Records, and SP Records.

Read what they said about their ARE YOU TOUGH ENOUGH EP

“Canada seems to be the new fertile ground for smashing powerpop. MOTHER’S CHILDREN hail from Ottawa, the same place as great bands like SEDATIVES, STEVE ADAMYK BAND (who they share a member with), WHITE WIRES and many others are from and keep making me go GAGA. This 6 track 12” is the follow up to their well received THAT’S WHO! LP on DERANGED. Dirk Klotzbach from OX put it this way (I fully agree!):
I really hope that you all followed my call up from OX # 92 in the meanwhile and have bought yourself a copy of MOTHER`S CHILDREN “That´s Who” Debut LP. So just to make it clear once again, there is no excuse ! The same as great as mentioned LP is this follow-up 12″ from the Canadians. Power Pop Glam´n´Roll driven to perfection that should be spinning on your record player multiple times a day and that still is on a par with it´s musical archetypes. Take your personal hits from the first three Powerpearls Compilations add it up with the two episodes of Killed By Glam, listen to “Milk & Alcohol” and “She´s A Windup” by DR. FEELGOOD once again, don´t forget your BOYS, STIFFS and FAST CARS records and imagine you would be warped right back to the Seventies where you would be seeing all those bands live on stage, because this is the moment when you realize that you are dancing and beerspitting right in front of the stage of a MOTHER`S CHILDREN show. Maybe you´ll even meet Noddy Holder or Gary Holton there on your timewarp.””