Archives for posts with tag: The Mob

Diat

Mastering Diät “Positive Energy” on Iron Lung and Adagio830 Records.

“The long awaited debut full length has finally arrived. And the wait was well worth it. Diät have worked, worked and reworked these 8 songs until they were perfect. Who is this band you ask? Let us introduce you:
“Brought together by a shared enthusiasm for bleak UK punk and a history of playing in hardcore bands, Berlin based DIÄT have created a sound that they have described, perhaps not entirely seriously, as ‘tough new wave’. Fans of Crisis, Killing Joke and The Mob (UK) should be pleased by the band’s unlikely synthesis of depressive drift and cranked, accelerated energy.
‘Positive Energy’ was recorded last Winter while huddled in a practice space overlooking the industrial landscape of frozen East Berlin, the album finds Diät reining in the threads of malignant enthusiasm still peppered throughout their earlier recordings (both 7″s previously released on this fine imprint) to focus on the cynicism and dejectedness that binds them as a band.”
Packaged in a high quality reverse board jacket with a 12 page lyric booklet only available in this version of the LP. All copies on black vinyl. The download comes with the “Hurricane” video as well.
Art: Jes. Sounds: Duckface. Mastered: Husayn. Video: West.”

Buy it here and here.

 

Diat

Mastering Diät “Positive Energy” on Iron Lung and Adagio830 Records.

“The long awaited debut full length has finally arrived. And the wait was well worth it. Diät have worked, worked and reworked these 8 songs until they were perfect. Who is this band you ask? Let us introduce you:
“Brought together by a shared enthusiasm for bleak UK punk and a history of playing in hardcore bands, Berlin based DIÄT have created a sound that they have described, perhaps not entirely seriously, as ‘tough new wave’. Fans of Crisis, Killing Joke and The Mob (UK) should be pleased by the band’s unlikely synthesis of depressive drift and cranked, accelerated energy.
‘Positive Energy’ was recorded last Winter while huddled in a practice space overlooking the industrial landscape of frozen East Berlin, the album finds Diät reining in the threads of malignant enthusiasm still peppered throughout their earlier recordings (both 7″s previously released on this fine imprint) to focus on the cynicism and dejectedness that binds them as a band.”
Packaged in a high quality reverse board jacket with a 12 page lyric booklet only available in this version of the LP. All copies on black vinyl. The download comes with the “Hurricane” video as well.
Art: Jes. Sounds: Duckface. Mastered: Husayn. Video: West.”

Buy it here and here.

 

Dead Cult

Mastering Dead Cult “Ghosts Still Dance” on All the Madmen Records.

From the Cult Nation Review:

“Dead Cult may be the youngest band on the resuscitated All the Madmen Records, the anarcho-punk label founded by The Mob in 1978 and resuscitated in 2012 after a nearly 25 year hiatus. Dead Cult‘s 2-song “Ghosts Still Dance” 7″ is being released in June by All the Madmen — undoubtedly an honor for the younger Portland, OR based group.

And a great 7″ it is! It’s difficult to believe that it was over 2 years ago that I interviewed Dead Cult — which CVLT Nation carried here — after hearing their demos, which founding member James Barker smartly posted onto Youtube. One of the demos included a pretty great cover of The Mob’s “Witch Hunt,” as well as several other original tracks. This included the excellent “Progression of Fear.”

The first song on “Ghosts Still Dance” is the title song — a haunting, mid-tempo postpunker, musically reminiscent of “Juju”-era Siouxsie and the Banshees. There are a few aggressive moments in the song that would seem out of place in something “Juju” era Siouxsie, however — but it all serves to tie the song’s message about the destruction of indigenous peoples to the band’s roots in punk. Singer Tawni’s vocals are at once impassioned and determined, finely honed. What struck me immediately about the song was how much more “mature” Dead Cult sounded from their demos of over 2 years ago. The band has definitely developed and has caught onto a tone of quiet ferocity in their sound that serves them well.

The song on side b, “No Religion,” is a foot-tapping mid-tempo punk rocker squarely in the vein of more recent bands like Arctic Flowers, Moral Hex, Annex — or older bands like Lost Cherrees and The Dead. The linchpins to the sound are 80s UK peace punk and the early gothic rock that was clumsily called “positive punk” back in the early 80s by music journalists in England. In fact, bassist James described Dead Cult’s sound as “Anarcho Goth Rock.” Singer Tawni explained: “For me, it’s Anarcho that influences me beyond anything else. James has the ideas for the more Goth-influenced songs, and I’m thrilled with how they’ve turned out. For me personally, I’d have to say bands that have influenced me the most are The Mob, Omega Tribe, Icon A.D., Alternative, Anarka and Poppy, A-heads, Zounds, and Poly Styrene will always be the first woman in punk to BLOW my mind. Always an influence.”

The 4 piece, dark, guitar-driven sounds of Dead Cult do straddle the line between postpunk, purist punk, and gothic rock in exactly the same way that early 80s bands like Blood and Roses did. The result is an earnest and compelling hybrid of smart guitars, dance-friendly percussion and tempos, and intelligent lyrics/songwriting. “Ghosts Still Dance” is a fine addition to All the Madmen’s amazing roster of anarcho-punk releases, and it’s doubly good to see a young American band picking up the torch of the label’s legacy and sounding as perfectly as Dead Cult do on this release.