Archives for posts with tag: Wire

Miscalculations

Mastering Miscalculations “Kill the Whole Cast” on FDH RecordsP.Trash Records, and Rockstar Records.

“CAPITAN MARCO of the London-based punk rock fleet No Front Teeth Records is an unweary demonio for the good punk work and he was the singer of the recently deceased GAGGERS and played in a helluva other bands. He quickly calculated his remaining super-powers: writer of excellent punk poetry + wizard of super catchy melodies = MISCALCULATIONS. That’s simple math. Bam! New band going. Together with drummer SHAUN he already wrote and pounded out two LPs on Dead Beat and Rockstar Rec. and now kills everything with this third LP. Though the Miscalculations know how to add 7+7, and Marco’s gritty and snotty voice screams ’punk singer’ with every syllable he spits out, Miscalculations definitely advanced the punk sound (some may call it Post-Punk). The 12 songs on ’Kill the whole cast’ are a tasteful blend of the sound of Buzzcocks, Wire, The Statues and even some Mind Spiders with the catchy and sharp, yet laconic guitar work and the melancholic and demanding undertone of Wipers, Masshystery or The Vicious, plus some Electro-Synth-NoWave-Punk of The Units or even The Spits. Always intense, always poetic with outstanding cryptic yrics and wrapped up in cool imagery. When this album has passed they killed the whole cast / You will be obsessed when they killed the whole cast!”

Buy it here!

 

Hipshakes

Mastering The Hipshakes “Sounds We Found” on SMF Records.

“Yes, here’s the long-lost second album by garage punk hit-machines The Hipshakes! Just over six years after it was recorded, finally a full release for Sounds We Found. It’s the Hipshakes first attempt to record in actual Medium Fidelity. Played at super speed with their usual ultra-excellent song writing ability on show, life, death and how to party are all dissected, usually in under two minutes. Former teen sensations from small market town, civil parish, capital of the Peak District and home of the Pudding – Bakewell – The Hipshakes have been friends since before they can remember. They bought instruments at 15 and have been playing together ever since. Early efforts were snotty-nosed and short, brilliant and bratty. With advancing years their noses may have dried up but the hits haven’t. Formed in 2001, their first slew of records and tours of Europe and America were unleashed between 2005 and 2008, calling in at South By Southwest and Gonerfest. 2014 unbelievably saw them tour the UK for the first time. On this record, they are a classic three piece combo of guitar, drums and bass: everyone writes songs and everyone sings them. They have travelled the world, played hundreds of gigs, released dozens of records and been cheered and jeered in roughly equal measure. Live, they are a ferociously exhilarating, mega-mondo smash-hit pop-fountain. They’ve shared the stage with the cream of the garage punk crop of the last ten years. The band are fans of the Soft Boys, Jay Reatard, Kinks, Black Lips, Wreckless Eric, Love Triangle, Swell Maps, Creedence Clearwater Revival, Wire, Red Cords, Nerves, Fuzz and MC5, so if you can dig those bands you might like the Hipshakes too.”

Buy it here!

 

Hipshakes

Mastering The Hipshakes “Sounds We Found” on SMF Records.

“Yes, here’s the long-lost second album by garage punk hit-machines The Hipshakes! Just over six years after it was recorded, finally a full release for Sounds We Found. It’s the Hipshakes first attempt to record in actual Medium Fidelity. Played at super speed with their usual ultra-excellent song writing ability on show, life, death and how to party are all dissected, usually in under two minutes. Former teen sensations from small market town, civil parish, capital of the Peak District and home of the Pudding – Bakewell – The Hipshakes have been friends since before they can remember. They bought instruments at 15 and have been playing together ever since. Early efforts were snotty-nosed and short, brilliant and bratty. With advancing years their noses may have dried up but the hits haven’t. Formed in 2001, their first slew of records and tours of Europe and America were unleashed between 2005 and 2008, calling in at South By Southwest and Gonerfest. 2014 unbelievably saw them tour the UK for the first time. On this record, they are a classic three piece combo of guitar, drums and bass: everyone writes songs and everyone sings them. They have travelled the world, played hundreds of gigs, released dozens of records and been cheered and jeered in roughly equal measure. Live, they are a ferociously exhilarating, mega-mondo smash-hit pop-fountain. They’ve shared the stage with the cream of the garage punk crop of the last ten years. The band are fans of the Soft Boys, Jay Reatard, Kinks, Black Lips, Wreckless Eric, Love Triangle, Swell Maps, Creedence Clearwater Revival, Wire, Red Cords, Nerves, Fuzz and MC5, so if you can dig those bands you might like the Hipshakes too.”

Buy it here!

 

Gotobeds

Mastering the Gotobeds “Poor People Are Revolting” on Erste Theke Tonträger.

“The Gotobeds’ members come from Pittsburgh, Penn., a place notorious for keeping great local bands to itself. But the racket these guys kick up on their first album, Poor People Are Revolting, might be too strong for the city to contain.

Guitarists Eli Kasan and Tom Payne spent the last few years as part of the local hardcore band Kim Phuc. Joined by bassist Gavin Jensen and drummer Cary Belbeck, they bring that energy to The Gotobeds, a rowdy, ramshackle party house of a band, built on the intersecting bedrock of post-punk and indie rock. On Poor People Are Revolting, there’s something crazy going on in every room, the front porch and the backyard: a party that never dies down or seems to stop, even as the neighbors complain and the cops drive past. Working from the spirit and fundamentals of a small handful of influences — the design sense and intellectual rowdiness of The Fall; the constant evolution and masterful poker faces of Wire, from whose drummer these guys borrowed their name; the sturdy, heroic melodic sense and layered tape-loop production of Mission of Burma — The Gotobeds’ members paint a dirty, driven, vulgar portrait of Rust Belt restlessness.

Poor People rockets out of the gate with “Fast Trash,” a great intro to The Gotobeds’ boundless energy. Two-parter “Wasted on Youth/Melted Candle” starts out with a tuneful riff that ratchets past pandemonium. Every song here is an honest-to-goodness anthem, ready to sweep you up in the throttling, last-call anxiety that permeates the band’s work — even through all 10 minutes of the single repetitive riff that makes up “Secs Tape.”

Were these guys from New York City, they’d probably be too tired and broke to play with this level of fevered, feral inspiration. With no fear of being priced out, they launch one of the greatest arguments against Big Apple living with their single “NY’s Alright.” Like the album’s title, the song is a double-edged sword, couching the relative excitement of New York (and hearing all about it from everyone who’s moved there) against the reality of people staring into their cellphones on crowded sidewalks, constantly trying to maintain a standard of living that The Gotobeds can enjoy for next to nothing. The sentiment is hammered home in the video for the track, as the band drops a Parquet Courts LP out of its sleeve, only to see it shatter on the floor.

One of the strongest American rock debuts in years, Poor People Are Revolting is an obscene gesture hoisted toward anyone who’d claim that the genre is dead.”

Gotobeds

Mastering the Gotobeds “Poor People Are Revolting” on Erste Theke Tonträger.

“The Gotobeds’ members come from Pittsburgh, Penn., a place notorious for keeping great local bands to itself. But the racket these guys kick up on their first album, Poor People Are Revolting, might be too strong for the city to contain.

Guitarists Eli Kasan and Tom Payne spent the last few years as part of the local hardcore band Kim Phuc. Joined by bassist Gavin Jensen and drummer Cary Belbeck, they bring that energy to The Gotobeds, a rowdy, ramshackle party house of a band, built on the intersecting bedrock of post-punk and indie rock. On Poor People Are Revolting, there’s something crazy going on in every room, the front porch and the backyard: a party that never dies down or seems to stop, even as the neighbors complain and the cops drive past. Working from the spirit and fundamentals of a small handful of influences — the design sense and intellectual rowdiness of The Fall; the constant evolution and masterful poker faces of Wire, from whose drummer these guys borrowed their name; the sturdy, heroic melodic sense and layered tape-loop production of Mission of Burma — The Gotobeds’ members paint a dirty, driven, vulgar portrait of Rust Belt restlessness.

Poor People rockets out of the gate with “Fast Trash,” a great intro to The Gotobeds’ boundless energy. Two-parter “Wasted on Youth/Melted Candle” starts out with a tuneful riff that ratchets past pandemonium. Every song here is an honest-to-goodness anthem, ready to sweep you up in the throttling, last-call anxiety that permeates the band’s work — even through all 10 minutes of the single repetitive riff that makes up “Secs Tape.”

Were these guys from New York City, they’d probably be too tired and broke to play with this level of fevered, feral inspiration. With no fear of being priced out, they launch one of the greatest arguments against Big Apple living with their single “NY’s Alright.” Like the album’s title, the song is a double-edged sword, couching the relative excitement of New York (and hearing all about it from everyone who’s moved there) against the reality of people staring into their cellphones on crowded sidewalks, constantly trying to maintain a standard of living that The Gotobeds can enjoy for next to nothing. The sentiment is hammered home in the video for the track, as the band drops a Parquet Courts LP out of its sleeve, only to see it shatter on the floor.

One of the strongest American rock debuts in years, Poor People Are Revolting is an obscene gesture hoisted toward anyone who’d claim that the genre is dead.”

Miscalculations

 

Mastering Miscalculations second LP “2”.

What they said about the first LP:

“Miscalculations- S/T LP.  Ambitious effort from these London pukes.  MISCALCULATIONS bash out 12 snotty, bruising Punk Rock hits spat in yer face by a couplea fucks from THE GAGGERS.  Top tier, rapid-fire, Snot Punk that’s got The Dickies, Buzzcocks and The Boys spastic, hyperactive charm smeared all over it – but with a very seething, morose, outlook that works well with the ferocious, poppy grit of the music. Jittery, razor-sharp Wire/Gang of Four/Wipers guitar tangents weave in and out of the songs that are all held together by snarling, bouncy First-Wave lunacy, bristling with fresh ideas and a poetic, melodic biteClever, creative song writing reigns supreme on this snearing, fuck-tastic ripper that’s one of the gnarliest examples of modern day Punk Rock done right.   File under “Good Shit”.”

 

Miscalculations

 Mastering Miscalculations second LP “A View For Glass Eyes”.

“Featuring Members of Gaggers, Ladykillers and Disco Lepers, this band from London is the perfect combination of ’77 UK Punk and the dark guitar/synthesizer Post Punk of nowadays. It’s like singer Marco says: “it’s a blend of post punk a la Wire, Joy Division mixed with some electro in the vein of the Units, Screamers, Vicious Visions and a dose of Scandinavian / Euro punk like Masshysteri, Tristess, Invasionen etc.””

Buy it here!

 

Miscalculations

 Mastering Miscalculations second LP “A View For Glass Eyes”.

“Featuring Members of Gaggers, Ladykillers and Disco Lepers, this band from London is the perfect combination of ’77 UK Punk and the dark guitar/synthesizer Post Punk of nowadays. It’s like singer Marco says: “it’s a blend of post punk a la Wire, Joy Division mixed with some electro in the vein of the Units, Screamers, Vicious Visions and a dose of Scandinavian / Euro punk like Masshysteri, Tristess, Invasionen etc.””

Buy it here!