Archives for category: Mastering

Dim Prospects

Mastering Dim Prospects “S/T” Lunadiscs Records.

Taken from Suspect Device Fanzine:

“This record arrived via punk post from Dim Prospects’ guitarist Mops who gave it to my good friend Rich when he visited Vienna recently. Many years ago Rich had given me an album by an Austrian band I’d never heard of at that point, Target Of Demand, it was a great record that also featured the guitar talents of Mops. I wouldn’t go as far as comparing the two bands, although some of the guitar parts on this do have me thinking of that record, perhaps unsurprisingly. Dim Prospects deliver driving, melodic punk which at times reminds me of early Leatherface or even Pegboy, and although not super fast, the songs are brimming with an energy that gets into your soul and makes you feel you can do anything. I’ve been playing this a lot and have no hesitation in saying that this is one of the best melodic punk records I’ve heard in a long time. (Tony)”

Dim Prospects

Mastering Dim Prospects “S/T” Lunadiscs Records.

Taken from Suspect Device Fanzine:

“This record arrived via punk post from Dim Prospects’ guitarist Mops who gave it to my good friend Rich when he visited Vienna recently. Many years ago Rich had given me an album by an Austrian band I’d never heard of at that point, Target Of Demand, it was a great record that also featured the guitar talents of Mops. I wouldn’t go as far as comparing the two bands, although some of the guitar parts on this do have me thinking of that record, perhaps unsurprisingly. Dim Prospects deliver driving, melodic punk which at times reminds me of early Leatherface or even Pegboy, and although not super fast, the songs are brimming with an energy that gets into your soul and makes you feel you can do anything. I’ve been playing this a lot and have no hesitation in saying that this is one of the best melodic punk records I’ve heard in a long time. (Tony)”

Ruleta Rusa

Mastering Ruleta Rusa “Lathe cut 7″” on Human Double Face Records and Discos MMM.

“50 pressed for MANIC RELAPSE FEST, hand made lathe cut 7″s”

Ruleta Rusa

Mastering Ruleta Rusa “Lathe cut 7″” on Human Double Face Records and Discos MMM.

“50 pressed for MANIC RELAPSE FEST, hand made lathe cut 7″s”

Sticky Valnetines

Mastering Sticky Valentines “S/T” EP.

Taken from Uberrock:

“Somebody once sang, “who will save rock and roll?” Well I could give you a list as long as an elephant’s trunk of bands who are flying the flag for good old Rock and Roll and I’ve just added another name to the illustrious list. Sticky Valentines is their name and playing dangerous sloppy rock and roll is their game.

Don’t despair kids, Rock and Roll is in rude health if you only scratch the surface, or failing that check out some of the bands I get to review on Uber Rock. Imagine the Rolling Stones around the time of ‘Exile…’ jamming with a prime time Thunders and Sylvain and add a dash of Hanoi Rocks when they were entering Mystery City that’s where these pirates of glunk sit comfortably. Hell, for good measure throw in some Replacements and a few Chuck Berry licks and Izzy Stradlin when he was on top of his game, oh and don’t forget the booze.

Kicking off quite literally is ‘Bored On The Boardwalk’ – with its heaving, sloppy swagger it’s like one huge barroom brawl is only one swig away and these vagabonds are gonna mess with anyone and everyone. With a fantastic guitar solo that Johnny would have been proud of the song just ends and gets the hell out of dodge. Superb stuff.

There are many pretenders who have a go at Rock and Rolling but can’t pull it off. Sticky Valentines were born to Rock and Roll and I see it as my duty to offer them up to you as paragons of taste: it’s only right you join me in saving rock and roll by supporting this band of rock and roll gypsies. Now can I get a “Fuck yeah!?” Stay alive, stay out of jail and Rock and Roll! Fuck Yeah!!!”

Sticky Valnetines

Mastering Sticky Valentines “S/T” EP.

Taken from Uberrock:

“Somebody once sang, “who will save rock and roll?” Well I could give you a list as long as an elephant’s trunk of bands who are flying the flag for good old Rock and Roll and I’ve just added another name to the illustrious list. Sticky Valentines is their name and playing dangerous sloppy rock and roll is their game.

Don’t despair kids, Rock and Roll is in rude health if you only scratch the surface, or failing that check out some of the bands I get to review on Uber Rock. Imagine the Rolling Stones around the time of ‘Exile…’ jamming with a prime time Thunders and Sylvain and add a dash of Hanoi Rocks when they were entering Mystery City that’s where these pirates of glunk sit comfortably. Hell, for good measure throw in some Replacements and a few Chuck Berry licks and Izzy Stradlin when he was on top of his game, oh and don’t forget the booze.

Kicking off quite literally is ‘Bored On The Boardwalk’ – with its heaving, sloppy swagger it’s like one huge barroom brawl is only one swig away and these vagabonds are gonna mess with anyone and everyone. With a fantastic guitar solo that Johnny would have been proud of the song just ends and gets the hell out of dodge. Superb stuff.

There are many pretenders who have a go at Rock and Rolling but can’t pull it off. Sticky Valentines were born to Rock and Roll and I see it as my duty to offer them up to you as paragons of taste: it’s only right you join me in saving rock and roll by supporting this band of rock and roll gypsies. Now can I get a “Fuck yeah!?” Stay alive, stay out of jail and Rock and Roll! Fuck Yeah!!!”

Raatoämpäri

Mastering Raatoämpäri “Tuomiojärvi”.

What is there to say other than everything that comes out of Finland is amazing and worth checking out.

Raatoämpäri

Mastering Raatoämpäri “Tuomiojärvi”.

What is there to say other than everything that comes out of Finland is amazing and worth checking out.

Pierre & Bastien

Mastering Pierre & Bastien “Que du Bonheur” on Pollymaggoo Records.

Recorded by Maxime Smadja at Studio Les Thermes.

“If you were lucky enough to hear and hold dear their debut LP from last year, it won’t be hard to convince you of their lust for Wire-wrapped rhythms and those fluid French lyrics laid artfully on top of such slashing guitars and intimidating vocal harmonies, uggh, so good! Straddling the razor’s edge of late 70s French thug punk bravado and early 80s post punk into a concise and well-produced modern classic, Que Du Bonheur strikes an icy aloofness right across the board into such impeccably well-written guitar lines, all destined to stick in your head instantly. The vocals can only really be described as excruciatingly refined, deadpan yet defiant and brilliantly brutish, you can try to stave off their allure, but why even put up the effort? Tough and seductive, and swollen with cuts from all those barbed hooks, this new LP should solidify their legend even further” (Todd Killings, VICTIM OF TIME)

Pierre & Bastien

Mastering Pierre & Bastien “Que du Bonheur” on Pollymaggoo Records.

Recorded by Maxime Smadja at Studio Les Thermes.

“If you were lucky enough to hear and hold dear their debut LP from last year, it won’t be hard to convince you of their lust for Wire-wrapped rhythms and those fluid French lyrics laid artfully on top of such slashing guitars and intimidating vocal harmonies, uggh, so good! Straddling the razor’s edge of late 70s French thug punk bravado and early 80s post punk into a concise and well-produced modern classic, Que Du Bonheur strikes an icy aloofness right across the board into such impeccably well-written guitar lines, all destined to stick in your head instantly. The vocals can only really be described as excruciatingly refined, deadpan yet defiant and brilliantly brutish, you can try to stave off their allure, but why even put up the effort? Tough and seductive, and swollen with cuts from all those barbed hooks, this new LP should solidify their legend even further” (Todd Killings, VICTIM OF TIME)