Archives for posts with tag: Born/Dead

Finally a Red Dons video!!!

 

Unheard Words

“Dear Inspector Hajji

There’s an uproar in the streets below
Just crawl to your window
Look down on the crowd
You can see their faces hear them now
They’re calling to God and

Fear of all
Danger is shut out
Gotta hear the words they say
Come on now

Uniformed Supermen
Use their guns to clear this place
It’s law now it’s law now
Where did all
The people go
Nothing but their shoes remain
It’s odd how their gone now

Fear of all
Danger is shot down
Gotta hear these words they say
Come on now

Would you follow me into town
Could you follow me there
Though the streets continually
Seem to be narrowing

And every breath you take
You feel like every step you make could be a big mistake
Ducking into alleyways
And hiding from Mukhabarat

Be advise of your rights
Gotta hear the words they say
Come on now
Come on now
Come on now
Gotta hear the words they say
Come on now”

This song is about the unrest I experienced while I was living in Jordan. Here is the story behind the words taken from the Red Dons website.

“Starting September 1st 2001, I spent a year studying in Amman at the University of Jordan. The tumultuous world events surrounding my stay there have been a source of inspiration/catharsis for many of the Red Dons songs. It has been interesting to let people hear and read the lyrics without context, then name the song based on their interpretation. Most of all its pleasing to arrive at a tittle that both reflects the audiences understanding of the lyrics and the writers attempt at expressing a moment crystallized in time.

A picture has been stuck in my head since its creation. I was stuck in a library where I had taken cover from the tear gas (or whatever caustic substance they fired at us). It was starting to clear and the noise had died down. Finally i got up and peered out the window. I expected to see hundreds of students facing off with Police. Instead there was nothing, just shoes, handbags, and personal effects attached to no one. No people, only things. Things that would never be abandoned. Where did they all go? At one end, at the other side of the main gates were Police vans as far as the eye could see, and in the other direction on the campus there was one ambulance from the University’s Hospital.

I had gotten out of class and it was the end of the day for me. There had been unrest on campus all month. It was October or November and since the 9/11 inspired bombing of Afghanistan the students had been demonstrating on a regular basis. There had been some confrontations and the Police had threatened to enter the gates of the University. For the most part everything had been ok and i had been able to pass through the demonstrations to walk out of the university home. Each protest was an event in and of itself and i would always go to watch them. Most of the other foreigners were too afraid (the embassy had pulled students of staff out already) or let their western xenophobia get the best of them. I was dead curious to see and understand life here.

I could see the line of students marching and chanting Allah Akbar (God is Great). As I rounded the corner to the main square I pulled up short at the clock tower. Straight ahead at the main gate a massive Police presence was lined up opposing a very large group of students. At this point things had gotten so tense that Al Jazeera had shown up, or at least that was the rumour going around. The police were wearing balaclavas and had guns for firing tear gas canisters tilted up at a 45 degree angle. The mass of students kept building and chanting ever louder Allah Akbar Allah Akbar. I drew closer. This was nothing unusual. The students could demonstrate with some confidence as the Police were not allowed to enter the University. If they did the school could lose its credentials and some were saying it could only happen 3 times ( i don’t recall the exact number). It had happened once before quite some time ago, maybe the 70′s and did not seem likely to happen again. On this account we were all wrong. Police began to fire tear gas over the main gate.

Earlier in the week there had been a massive demonstration against the US and the Jordanian governments outside of a mosque, spurred on by the Friday sermon. It had spilled onto the streets and blocked a major road. Police had been present for every sermon at this particular mosque recently but this time something changed. As events in the region and the outside world intensified the energy was projected into Jordan and onto the streets. The Police fired tear gas at the crowed and sparked a massive running riot, but that is another story: Hajji Takes a Ride.

As the gas reached me i retched and headed for the library on the left side of the square. My eyes watered and i ran up the stairs. I could hear shouting and yelling and the continued throb of Allah Akbar. By this time i was in the main section upstairs running among the stacks to get to a window. Being a hot country though, all the windows were open and the the air was quickly choked with gas. By the time i got to my destination I couldn’t take it. I got down low and waited for it to clear. I lay sometime in the foreign literature section and in the very same stacks much later i borrowed a book of Rudyard Kipling’s poetry in order to write a paper on Imperialism.

Scattered everywhere. All that remained were their shoes, not pairs just a shoe here and there punctuated with purses, backpacks, books, and clothing. It was the silence, the utter stillness of the image that has been forever burned in my mind looking down from amongst the books. Hundreds of students gone. Where? Were they hurt? Locked up? Did they run away? The juxtaposition of a bustling university, a massive demonstration and total stillness, the detritus of life. In my curiosity i followed the demonstration, strained to hear what they said, why they cared so much. In the confusion and wrapping of smoke they disappeared, Words Unheard.”

– Husayn

Red Dons featured in an article about “the New Postpunk” by Souciant Magazine.

“8.) RED DONS

 

Red Dons – “Se Foi”

Portland, Oregon’s Red Dons are such a great band. You’d think more people outside MRR’s readership would be into them. Although I have met no one else who agrees with me on this, I think the singer sounds a wee bit like Morrissey, and that there is something very Smiths-like about them. Perhaps more appropriately, their sound could be compared to Under Two Flags. Whatever the case, Red Dons are one of those bands that will bug you to death for sounding like someone, except for the life of you you can’t think of who. They essentially used to be The Observers, whose  So What’s Left Now LP is also a mandatory document. Red Dons have a page here:http://www.reddons.com/

Read the rest of the Article Here. An interesting hypothesis for a punk dialectic.

“The next Release on Erste Theke is ready! No More Art is comprised of people from rather dissimilar backgrounds in music, but the elements are easy enough to lay out. There are the surf-drenched guitars, the complementary female vocals, and the rock ‘n’ roll frenzy of X (Los Angeles), some of what has been brewing in Denmark and Sweden over the last decades with bands like MASSHYSTERI / VICIOUS, and NO HOPE FOR THE KIDS, but also with lots of melody and leads that is reminiscent of 80’s LA bands like SOCIAL DISTORTION and ADOLESCENTS, but with a unique sound of their own as well. Lead singer Milo has been paying her dues for some years now as a singer song writer in her own solo project ROSIE TIE. Drummer Juan Miguel has been busy on the heavier side of music, playing guitar in bands like LOS DOLARES, ETACARINAE, and PELIGRO!, in Barcelona over the past decade. Will has also done time in many bands over the past decade with groups BORN/DEAD, DESOLATION, SUICIDE BOMB, DOPECHARGE, and most recently Portland’s RED DONS. Recorded by Dennis Rux at Yeah Yeah Yeah Studios and mastered by RED DONS Hajji Husayn in a 80s sound that made you KBD fans out there forget the modern world. Enjoy the first No More Art songs!

500 are made

400 Black Vinyl ( With normal Center Hole )
100 Black Vinyl ( ETT Version – With Big Center Hole )
5 Testpress ( Different Artwork )”

Original Post and and where you can get it HERE.

——————

No More Art is my new band in Hamburg Germany. This is our first demo after playing for a very short while together. It was recorded in HH at Yeah Yeah Yeah Studios with Dennis Rux and mastered by Hajji Husayn of Red Dons. We tried to go for a warm sound that you can hear every instrument, the end result is pretty good I think.This tape is available through Kink Records here in Europe.”

Original Post HERE

Download the Demo HERE

Get it at Kink Records

Perpeteia Mastered

Perpeteia Unmastered

 

 

Another blog  featuring Red Dons records for download. Here you can find Escaping Amman 7″, Death to Idealism LP, Fake Meets Failure LP, and the new A Forced Turning Point 7″.

Download them from: Fruitonia

or you can Click HERE to download our new album FAKE MEETS FAILURE. The album is $5 and all proceeds go directly to the band, not to itunes or any other outside corporation. This money helps us tour and record. But if you’re strapped for cash, you can always download the album for free!

*THE ABOVE LINKS NO LONGER WORK*

*You can download Fake Meets Failure and the A-sides of our 7″s FREE HERE*

Red Dons live in London @ Neat Neat Neat 29.4.11 playing My Life in Exile / Superficial

No More Art from Hamburg. Before and after Mastering. New 7″ coming soon.

Perpeteia Mastered

Perpeteia Unmastered

“RED DONS:
: 7″

There is a small hand of punk bands that are unmistakably down that, I’m sure, would have a very wide appeal among people who “used to like punk” or “outgrew punk,” as well as, “Oooh, what’s this punk stuff about?” people. I’m not talking about the Rancid/Green Day axis of mainstream appeal. I’m talking the potential Fugazi levels of sustainability—large level, international underground level. Because the Red Dons are instantly catchy, smart-as-all-hell, musically interesting, and so big and realized in sound, that I’m hard-pressed to think of a band with a largesse of morals that equals the excitement of the music they’re currently making. For those who like: punk and/or punk and celebrating under that huge fuckin’ umbrella. Untouchable and worth hunting down? Absolutely.

–Todd Taylor (Taken By Surprise)”

Original post here.

 

Red Dons – “Pariah” – [Deranged Records]

Red Dons is the primary band from what’s called the Vagabond Sound Music Collective based in Portland, started by Doug Burns (lead vocals/guitar) and Hajji Husayn (bass/vocals). While many folks have been in and out of the band, this collection is Burns, Husayn, Richard Joachim (drums/vocals) and Will Kinser (lead guitar) of Born/Dead (see A library).

Pariah is a very fast, in yo’ face punk track with a flat, repetetive guitar melody in the background. These guys know how to rock out.

It’s Your Right is a GEM! It changes tempo a couple times in the song, and switches from what sounds like three different tracks. They fit together very well. PLAY THIS SONG!

Very versatile for a punk group, these guys are pro”

Originally posted here.

 

“By this point, most of you probably already know and / or love RED DONS. For those of you who don’t, this band is comprised of members of the OBSERVERS, CLOROX GIRLS, and BORN/DEAD. As for influences, I can hear X and WIPERS the most, and maybe even some MISSION OF BURMA here and there, but not as artsy. Their overall northwest sound brings it all together nicely. Highly recommended! (BD)”

Taken from the Red Dons website where you can listen to the whole 7″.

No More Art a new band from Hamburg. Mastering their upcoming 7″ and the tape version with extra songs.

Featuring Members & former or ongoing bands:

Vocals/Guitar-Milo (Rosie Tie)
Bass-Jonas
Drums-Juan Miguel (Etacaranae, Los Dolores, Leadershit, Juaria, Peligro!)
Lead Guitar-Will (Born/Dead, Red Dons, Desolation, In the Wake of the Plague, Suicide Bomb, Dopecharge, Razed)

http://nomoreart.bandcamp.com/

http://www.facebook.com/nomoreartmusic?sk=wall