Archives for posts with tag: Muscle Horse Records

Repossed

Mastering the Repossessed “Born. Work. Die.” on Muscle Horse Records.

“The Repossessed make the most of their first time on record, spitting the gravel from their boots right in your face over ragged glory riffs that recall the likes of The Ejected or The Partisans (there’s even a Welsh language number on here, a nod to singer Donna’s heritage). All four songs nail that perfect combination of high energy bounce and ear worm shout-along choruses like they really could be a lost Riot City Records band, but this is much more than a well-executed tribute, as demonstrated by their barbed reflections on the every day struggle in a contemporary Britain, one that’s just as if not more bleak than UK82. These four are undoubtedly in possession of fuck-you spirit and brains to boot, so get into it or get out the way.”

Buy it here!

 

No Form

Mastering No Form 12″ on Muscle Horse Records.

“A boundary-pushing record from the North of England. Bathing in the murk, devoid of light, it invokes a dark atmosphere that has little to do with any gothic plod or metal pose. This is punk, as antagonistic and cleansing as it ever can be. NO FORM’s notorious live power is finally captured on this, their first record, with four shorter pulsating numbers on Side A and one long jam on Side B that approaches the outer limits. Shrill, disconcerting guitar leads and tormented vocals slither over an affirmative pummel that exists at the meeting point between outlier hardcore punk – SIEGE/UNITED MUTATION/GISM – and post-punk/proto-industrial at its most confrontational – SPK/CABARET VOLTAIRE/GOOD MISSIONARIES. Deceptively catchy thrashing coexists with sinister, siren-call sax that evokes THROBBING GRISTLE. This is music for the perennially despondent. Music for the subconscious, not the fashion conscious. This is music that could have been the soundtrack to the Blood Garden in JG Ballard’s ‘High Rise’. This is music as life ritual, to be listened to by all or none.” (Rob Tyers)

Buy it here!

No Form

Mastering No Form 12″ on Muscle Horse Records.

“A boundary-pushing record from the North of England. Bathing in the murk, devoid of light, it invokes a dark atmosphere that has little to do with any gothic plod or metal pose. This is punk, as antagonistic and cleansing as it ever can be. NO FORM’s notorious live power is finally captured on this, their first record, with four shorter pulsating numbers on Side A and one long jam on Side B that approaches the outer limits. Shrill, disconcerting guitar leads and tormented vocals slither over an affirmative pummel that exists at the meeting point between outlier hardcore punk – SIEGE/UNITED MUTATION/GISM – and post-punk/proto-industrial at its most confrontational – SPK/CABARET VOLTAIRE/GOOD MISSIONARIES. Deceptively catchy thrashing coexists with sinister, siren-call sax that evokes THROBBING GRISTLE. This is music for the perennially despondent. Music for the subconscious, not the fashion conscious. This is music that could have been the soundtrack to the Blood Garden in JG Ballard’s ‘High Rise’. This is music as life ritual, to be listened to by all or none.” (Rob Tyers)

Buy it here!

Good Throb

Mastering Good Throb “Live on WFMU” on Muscle Horse Records.

“A rambunctious live session recorded in April 2014 by the band Good Throb in New Jersey, NJ, USA, at the radio station called WFMU. ‘Live throb’ consists of 8 songs spanning both singles, a comp track and their recent LP, plus a lovingly butchered Flux of Pink Indians cover. It was patiently engineered by Serge Z. Good Throb was extremely hungover during the recording of these tracks, so it sounds rawer and more demented than usual.”

Buy it here!

Good Throb

Mastering Good Throb “Live on WFMU” on Muscle Horse Records.

“A rambunctious live session recorded in April 2014 by the band Good Throb in New Jersey, NJ, USA, at the radio station called WFMU. ‘Live throb’ consists of 8 songs spanning both singles, a comp track and their recent LP, plus a lovingly butchered Flux of Pink Indians cover. It was patiently engineered by Serge Z. Good Throb was extremely hungover during the recording of these tracks, so it sounds rawer and more demented than usual.”

Buy it here!