Mastering the Maniac Recordings.
Dudes who are/were in these bands:
“Clorox Girls, Cute Lepers, The Girls, The Warm Jets, L.A. Drugz, Red Dons, Rough Kids, Suspect Parts. Now in Maniac.”
Dudes who are/were in these bands:
“Clorox Girls, Cute Lepers, The Girls, The Warm Jets, L.A. Drugz, Red Dons, Rough Kids, Suspect Parts. Now in Maniac.”
“RED DONS:
Ausländer: 7”
I’m of the opinion that Red Dons are the best band walking the planet today. I fuggin’ love this band! They have this way of making music that causes everything else around you to melt away and all that is left is the music. You are completely in that moment. It’s a great feeling. The songs soar, race, and have undeniable soul. Catchy without being corny. Insightful without being overwrought. Just fucking great music. The title track is godhead! I’ve listened to it over and over so many times, and have yet to tire of it. Is that even possible? It’s such a great song. A nice, quick tempo and the vocals float over, pulling you into the song, and the chorus burns into your mind. I like how the guitar comes in at the end and builds and closes out with a noisy swirl. The kind of song that makes you want to start a band and take over the world. On the B side is “Mauvaise Foi,” which slows down a little bit with a jerky and bouncy rhythm here and there. When the melody comes in, nothing else matters. I really like the line, “Anointed one, where did I go wrong,” as it leads into the verse. This single is a classic. –Matt Average (Dirtnap, dirtnaprecs.com)”
Original Post Here
“RED DONS:
Ausländer: 7”
I’m of the opinion that Red Dons are the best band walking the planet today. I fuggin’ love this band! They have this way of making music that causes everything else around you to melt away and all that is left is the music. You are completely in that moment. It’s a great feeling. The songs soar, race, and have undeniable soul. Catchy without being corny. Insightful without being overwrought. Just fucking great music. The title track is godhead! I’ve listened to it over and over so many times, and have yet to tire of it. Is that even possible? It’s such a great song. A nice, quick tempo and the vocals float over, pulling you into the song, and the chorus burns into your mind. I like how the guitar comes in at the end and builds and closes out with a noisy swirl. The kind of song that makes you want to start a band and take over the world. On the B side is “Mauvaise Foi,” which slows down a little bit with a jerky and bouncy rhythm here and there. When the melody comes in, nothing else matters. I really like the line, “Anointed one, where did I go wrong,” as it leads into the verse. This single is a classic. –Matt Average (Dirtnap, dirtnaprecs.com)”
Original Post Here
“No More Art is a quartet from Hamburg, Germany that has created a two track seven-inch that is close to being one of the best singles I’ve heard in years. Okay, admittedly when there are only two tracks it’s more difficult to have a stinker amongst the output, but regardless of that, here I have that gem that we all crave for in that it’s just a great record from a band that has managed to create a wonderfully straightforward but effective sound.
This record covers a number of bases in terms of that sound, with a bit of a Scandinavian influence mixed in with that of some of the Dangerhouse era bands along with a blend of garage punk and new wave to bring it all together in a marvelous amalgam that is totally irresistible.
Vocalist Jessica Milone’s (Milo) voice is perfect for this kind of music, providing an impeccable delivery over both tracks. Will Kinser (also of Red Dons) lays down some simple but hugely effective lead guitar to provide a solid melodic feel to the music whilst, on bass, Jonas Ball provides a pleasingly bouncy quality to it that is aided and abetted by a snappy drum sound courtesy of Juan Miguel Pardo, which keeps things racing along at a decent pace. All in all, this is the kind of single that you keep flipping over and over as it never loses its initial appeal.
This single is also available on Bandcamp, as is the four-track demo the band recorded which also includes these two songs but it must be noted that the additional two tracks on that demo are well worth getting hold of too.
EDUCATION OPPORTUNITY ALERT!
I had to look up the word “perepeteia” and a brief explanation is that it’s an element of tragedy as espoused by Aristotle:
The Perepetia is the fatal working of the plot to result the opposite of that intended. For example events do not turn up according to the intentions of expectations of the hero/heroine. They move in an opposite direction to his/her intention.”
Original Post Here
“Follow up to their self released demo tape and “Loose Tongues” 7″ this band from Sheffield, Yorkshire is getting better all the time and i think this release captures the feeling of their brilliant live performances a little more. I can always hear elements of Germs, Angry Samoans and Black Flag in their sound. Other people have compared them to Adolescents and Descendents, anyway you get the idea – killer, catchy, hardcore punk! My personal favourite track is “Graft” it’s about working to live not living to work.
Keeping the same aesthetic as the first record with the Pogger artwork this one is 5 tracks recorded by Atko (Voorhees, The Horror, Gentlemens Pistols) and mastered by Daniel Husayn (Red Dons, Thee Spivs) limited to 300 copies on green vinyl.
£3.50 + postage (get in touch for rates)
3 copies or more gets you wholesale rates
Distros / Labels get in touch!”
“Follow up to their self released demo tape and “Loose Tongues” 7″ this band from Sheffield, Yorkshire is getting better all the time and i think this release captures the feeling of their brilliant live performances a little more. I can always hear elements of Germs, Angry Samoans and Black Flag in their sound. Other people have compared them to Adolescents and Descendents, anyway you get the idea – killer, catchy, hardcore punk! My personal favourite track is “Graft” it’s about working to live not living to work.
Keeping the same aesthetic as the first record with the Pogger artwork this one is 5 tracks recorded by Atko (Voorhees, The Horror, Gentlemens Pistols) and mastered by Daniel Husayn (Red Dons, Thee Spivs) limited to 300 copies on green vinyl.
£3.50 + postage (get in touch for rates)
3 copies or more gets you wholesale rates
Distros / Labels get in touch!”
“It’s the end of the world and we feel fine!
The new (and potentially last???) issue of your favorite punk rock magazine has hit the streets! The December issue,MRR #355, comes busting at the seams with the best punk from around the world — 100% by the punks for the punks!
This month we talk to our Doomsday cover artist Avi Spivakand we have a split interview with Portland-based punks, the RED DONS and the ESTRANGED. We catch up with Sweden’s crust megaliths AGRIMONIA, and Russia’s hardcore punxANTIMELODIX tell us their story and and explain love of Finland.NAPOLNARIZ talk about what it’s like growing up punk in Puerto Rico and LA ARMADA examine their experience of coming to the US from the Dominican Republic. Peru’s anarchia punks DHK tell us about their scene in Lima, while BREATHING LIGHT from Chicago discuss race, culture and what it’s like to be a punk of color within the punk scene and beyond. The VICTIMS take us on a trip in the second part of their European tour diary, and our scene report from Hamilton, Ontario, Canada sheds some light onto this active part of the Great White North. This, plus all the columnists you love to hate (and hate to love!) and the most extensive record reviews in punk!”
Order your copy here
“By Zac Camagna
Red Dons recently dropped some fresh material for their first from Dirtnap Records. Auslanderfeatures two brand new songs, both of which were written in 2010-11 between cities like Chicago, Brazil, London, Portland and Hamburg. To continue the nomadic behavior, the tracks were then recorded in a Cold War era bomb shelter in Sweden during 2011 by Lars Ekman, leaving Dirtnap to take care of the rest.
“Auslander” starts with a bang, quickly setting the tone of this 7” with a rollicking introduction. The weight of the track is clear as soon as it busts open, revealing a piercing guitar hook that quickly swallows the song with a sense of dire urgency. The track continues with its perpetual fury, led by shredded rhythm guitars that are as heavy as they are direct. It’s a monumental sound and that crushing lead guitar hook is responsible for most of the damage, coming off with sharp melodic tendencies through the daunting post-punk meltdown.
B-side “Mauvaise Foi” doesn’t fall far from the vein of the first, sustaining the destructive pace with another scorching beatdown. With that being said, these two songs combine for almost nine minutes of blood-boiling post-punk outrage, almost like the world itself is crumbling right before your ears. Give the fiery “Auslander” a spin right below, and snag the 7” directly from Green Noise Records—you won’t be sorry.”
Original Post Here