Rats Rest

Mastering Rats Rest “Permanent Catastrophe” EP on Erste Theke Tonträger.

“When it comes to timeless and catchy early 80s US punk sound in these fast and modern times of ours, Rats Rest from Kansas City could take a big part of the cake. If you like the old-school hardcore punk, melodic with a raspy fucked up voice, expressive vocals, mid paced drum-hitting going fast, heavy bass lines, catchy guitar works with a hard-rock attitude / playing, alongside lyric themes about depression, drugs and death, written with a personal view, then this is your new favourite band. I’m reminded of a depressed Marked Men, a bouncy No Hope For The Kids, or a street-punk-infused Leatherface as I spin these tunes. They get it pretty much right, from the well-sung vocals to the guitar solos that occurs over some moody, incessant bass-lines, its always super catchy! So put your sticky fingers on a copy of this and enjoy it!”

 

Pertti Kurikan Nimipäivat Hard Skin

Mastering Pertti Kurikan Nimipäivät / Hard Skin‎ “Me Ollaan Runkkareita / Why Won’t Anyone Understand?” on JT Classics.

Review from the Quietus:

Pertti Kurikan Nimipäivät have been called “the last real punk band in the world”. Statements like this tend to reveal more about the person making them than the band, but in this instance it’s not completely trite and useless. Pertti Kurikan Nimipäivät are four learning disabled Finns who formed six years ago in a workshop for learning disabled Finns; this is not in itself remarkable, but also not something you’d expect to travel much beyond the confines of the workshop. PKN, however, have released singles and cassettes at a prodigious rate since 2010, and have found an exponentially growing audience for their lo-fi, midpaced punk anthems. Significant points on this journey have included the 2012 release of The Punk Syndrome, a documentary movie about the band which has won awards at SXSW and elsewhere; Coffee Not Tea, a 2013 compilation released by the wholly commendable Constant Flux [http://constantflux.co.uk] to coincide with PKN’s first UK tour; a book of poetry by Pertti Kurikan himself (written about in fascinating detail here); and the band’s attempt to represent Finland at this year’s Eurovision. Lest you assume this is a daft publicity grab with zero chance of success, they’ve reached the national final and will be competing against eight other acts on Finnish TV this Saturday (as I write). This, all must agree, is a more exquisitely correct destination for the world’s last real punk band than a fucking bank.

Amongst all this palaver, PKN have somehow found time to release three seven-inches in the last few months. The first is a split single with London’s esteemed sons of Oi!, Hard Skin, released by JT Classics and sold on their joint tour in December (the Bristol date of which was a perfect way to spend a Friday night). Each band covers a song by the other, adapting the lyrics to their own language in doing so, although cursory dicking around with Google Translate indicates that PKN have ditched most of the sentiment of ‘We Are The Wankers’. The chucking-out-time chorus remains intact, however, and more yobbo streetpunk thumpers could be improved by a Moog solo, as this is. Hard Skin take a shot at PKN’s ‘Miks Ei Kukaan Ymmärrä’ (‘Why Won’t Anyone Understand?’), which is an excellent choice, as it requires Sean ‘Fat Bob’ Forbes to sing about the trauma of going to the pedicurist.”

Buy it here!

 

Pertti Kurikan Nimipäivat Hard Skin

Mastering Pertti Kurikan Nimipäivät / Hard Skin‎ “Me Ollaan Runkkareita / Why Won’t Anyone Understand?” on JT Classics.

Review from the Quietus:

Pertti Kurikan Nimipäivät have been called “the last real punk band in the world”. Statements like this tend to reveal more about the person making them than the band, but in this instance it’s not completely trite and useless. Pertti Kurikan Nimipäivät are four learning disabled Finns who formed six years ago in a workshop for learning disabled Finns; this is not in itself remarkable, but also not something you’d expect to travel much beyond the confines of the workshop. PKN, however, have released singles and cassettes at a prodigious rate since 2010, and have found an exponentially growing audience for their lo-fi, midpaced punk anthems. Significant points on this journey have included the 2012 release of The Punk Syndrome, a documentary movie about the band which has won awards at SXSW and elsewhere; Coffee Not Tea, a 2013 compilation released by the wholly commendable Constant Flux [http://constantflux.co.uk] to coincide with PKN’s first UK tour; a book of poetry by Pertti Kurikan himself (written about in fascinating detail here); and the band’s attempt to represent Finland at this year’s Eurovision. Lest you assume this is a daft publicity grab with zero chance of success, they’ve reached the national final and will be competing against eight other acts on Finnish TV this Saturday (as I write). This, all must agree, is a more exquisitely correct destination for the world’s last real punk band than a fucking bank.

Amongst all this palaver, PKN have somehow found time to release three seven-inches in the last few months. The first is a split single with London’s esteemed sons of Oi!, Hard Skin, released by JT Classics and sold on their joint tour in December (the Bristol date of which was a perfect way to spend a Friday night). Each band covers a song by the other, adapting the lyrics to their own language in doing so, although cursory dicking around with Google Translate indicates that PKN have ditched most of the sentiment of ‘We Are The Wankers’. The chucking-out-time chorus remains intact, however, and more yobbo streetpunk thumpers could be improved by a Moog solo, as this is. Hard Skin take a shot at PKN’s ‘Miks Ei Kukaan Ymmärrä’ (‘Why Won’t Anyone Understand?’), which is an excellent choice, as it requires Sean ‘Fat Bob’ Forbes to sing about the trauma of going to the pedicurist.”

Buy it here!

 

Dimensions

Mixing The Dimensions “Blue Smoke” 7″.

“New 7″ by Cologne’s finest punk band the Dimensions. Four brand new songs, super nice artwork and a download-code. Nice!”

Buy it here!

 

Dimensions

Mixing The Dimensions “Blue Smoke” 7″.

“New 7″ by Cologne’s finest punk band the Dimensions. Four brand new songs, super nice artwork and a download-code. Nice!”

Buy it here!

 

Hank Wood

Remastering Hank Wood & The Hammerheads “S​/​T” on La Vide Es Un Mus Records.

“La Vida Es Un Mus reissue the 2011 7″ from HANK WOOD AND THE HAMMERHEADS. These three songs are insanely catchy, keyboard-drenched, punk stompers fronted by a sephardic miscreant known only by the mysterious handle of Hank Wood. This record possesses such snarky, yet dangerous attitude. Lead track ‘Shoulda Listen (To Mommah)’ is a dirty garage dirge that’s part 13TH FLOOR ELEVATORS, part CRAMPS and part THE DOORS.”

Buy it here!

 

Hank Wood

Remastering Hank Wood & The Hammerheads “S​/​T” on La Vide Es Un Mus Records.

“La Vida Es Un Mus reissue the 2011 7″ from HANK WOOD AND THE HAMMERHEADS. These three songs are insanely catchy, keyboard-drenched, punk stompers fronted by a sephardic miscreant known only by the mysterious handle of Hank Wood. This record possesses such snarky, yet dangerous attitude. Lead track ‘Shoulda Listen (To Mommah)’ is a dirty garage dirge that’s part 13TH FLOOR ELEVATORS, part CRAMPS and part THE DOORS.”

Buy it here!

 

Hank Wood

Remastering Hank Wood & The Hammerheads “S​/​T” on La Vide Es Un Mus Records.

“La Vida Es Un Mus reissue the 2011 7″ from HANK WOOD AND THE HAMMERHEADS. These three songs are insanely catchy, keyboard-drenched, punk stompers fronted by a sephardic miscreant known only by the mysterious handle of Hank Wood. This record possesses such snarky, yet dangerous attitude. Lead track ‘Shoulda Listen (To Mommah)’ is a dirty garage dirge that’s part 13TH FLOOR ELEVATORS, part CRAMPS and part THE DOORS.”

Buy it here!

 

Miscalculations

Mastering Miscalculations “A Silent Defence b/w Clairvoyant Stare” on No Front Teeth Records.

Two cuts of stark, angular punk from London post punks MISCALCULATIONS featuring members of The Gaggers, The Ladykillers, Jonny Cola And The A Grades and The Scraps.
The title track ‘A Silent Defence’ is from their much-acclaimed debut LP – a song about the desolation of dependence. Indignant but melodic. ‘Clairvoyant Stare’ on the B-Side is blunt and cold and lyrically vicious.

Buy it here!

 

Miscalculations

Mastering Miscalculations “A Silent Defence b/w Clairvoyant Stare” on No Front Teeth Records.

Two cuts of stark, angular punk from London post punks MISCALCULATIONS featuring members of The Gaggers, The Ladykillers, Jonny Cola And The A Grades and The Scraps.
The title track ‘A Silent Defence’ is from their much-acclaimed debut LP – a song about the desolation of dependence. Indignant but melodic. ‘Clairvoyant Stare’ on the B-Side is blunt and cold and lyrically vicious.

Buy it here!