Mastering Crude Heat “Demo”.
Released June 19, 2016
Released February 14, 2017
Released July 15, 2016
Recorded by Laura Großer, 2014
Released September 23, 2016
Taken from Lola:
“We’ve talked about Girlie’s throwback charms in previous gig guides; the likes of Interrugnum bounding along with unreserved indie flavour. Honest lyrics, dirty guitars and garagey production define Girlie’s presence on this record. Pigeon by contrast have an altogether darker sound, influenced somewhat by squalling vocals and swelling guitars with enough grit to de-ice your footpath. This split EP strikes a perfect balance between both bands: the fresh, open Girlie running into the brooding, blown-out Pigeon.”
Released September 30, 2016.
“4 extended jams of live-looped motorik psychedelia. Heavy drum-machine repetition, droning keyboards, and extended guitar ragas. All played live (with vocals overdubbed later) by Soft Walls main man Dan Reeves, direct to his beloved MT8X cassette tape machine. Features expanded, re-imagined versions of two songs from 2014’s acclaimed ‘No Time’, one from 2012’s debut ‘The Soft Walls’ and a guitar meditation exclusive to this release.”
All songs recorded 2016 at Ljudvalvet by Thomas Frank, except Trist Nittitalist recorded 2015 at Studio Ibiza by Härda Ut. All songs mixed by Lauri Nyberg.
“Apocalypse Pop, waiting for the apocalypse to…drop…
Suspect Parts is the brainchild of two exiled Americans, one Brit and a German who managed to tame their inner demons with buzzsaw punk/powerpop, a cotton candy-meets-razorblade concoction that goes down surprisingly smooth.
Ex and current members of bands like The Briefs, Clorox Girls, Maniac, Ripchord, Radio Dead Ones and Red Dons – they are Suspect, they come from Suspect Parts.
Combining 60’s pop and bubblegum with late 70’s California beach punk and powerpop, Suspect Parts have something brewing that can’t be ignored. The Seeds, the Kinks, the Knack and the Buzzcocks can be heard, as well as a little Nuggets, a little Star Spangles or Rezillos, a little Protex or Undertones, but with a modern touch. Backward-looking but forward-thinking 60s pop with a punk edge.
Now, their self-titled full-length debut album is finally here. Recorded straight to analog tape in the negative 15 degree cold of a January in east Berlin. Ten songs, 24 minutes, a relentlessly catchy uppercut to the senses.
Apocalypse Pop. When oil runs out a major line is going to be drawn. Which side are you on? Which tribe are you willing to die for? … Pop’s chosen warriors will rule the apocalypse …. Drop, waiting for the apocalypse to…pop…”
“The complete collection of released and unreleased Mail Order Children tracks from their Eps, 7 inches and demos arranged in reverse chronological order from 1998 to 1996.”