Mastering Rodney Shades Band "In the Kingdom"

April 2, 2015 //
0

Rodney Shades Band

Mastering Rodney Shades Band “In the Kingdom”

“Hip-swinging debut solo single from Thisclose front-man Rodney Shades. A double dose of hardrock from Rodney and his band, the Rodney Shades Band – ow!”

Taken from MORBUS BLAST BEATS:

“He’s back. The man with the voice which could wake up the dead. Rodney Shades, siren from hell in human form and under normal conditions the singer of Scottish D-beaters THISCLOSE (check em out, they smoke – pure DISCHARGE-worshipping D-beat of the highest order!), gives us a huge dosis of good old rock ‘n’ roll. 

His new side project runs under the simple name: RODNEY SHADES BAND. Don’t think too long if you’re looking for a new band name – put your own name in front and that’s it. At least if you have such a talented crazy voice like Mr. Shades. But to get in touch with this here, you have to forget what THISCLOSE normally do. Even if the first song starts with a brutal guitar intro, things go into a different direction. This is midtempo hard rock/heavy metal music, rooted deeply in the first steps of the New Wave Of British Heavy Metal. You know – early Judas Priest, early Iron Maiden, noise from the end of the 70s or early 80s. 

Bottom line: Wanna read a dumb blasphemous thought? If JUDAS PRIEST would need a new singer, RODNEY SHADES could be the one. I jope you enjoy this as much as I did.”

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Categories Mastering

Mastering Rodney Shades Band “In the Kingdom”

April 2, 2015 //
0

Rodney Shades Band

Mastering Rodney Shades Band “In the Kingdom”

“Hip-swinging debut solo single from Thisclose front-man Rodney Shades. A double dose of hardrock from Rodney and his band, the Rodney Shades Band – ow!”

Taken from MORBUS BLAST BEATS:

“He’s back. The man with the voice which could wake up the dead. Rodney Shades, siren from hell in human form and under normal conditions the singer of Scottish D-beaters THISCLOSE (check em out, they smoke – pure DISCHARGE-worshipping D-beat of the highest order!), gives us a huge dosis of good old rock ‘n’ roll. 

His new side project runs under the simple name: RODNEY SHADES BAND. Don’t think too long if you’re looking for a new band name – put your own name in front and that’s it. At least if you have such a talented crazy voice like Mr. Shades. But to get in touch with this here, you have to forget what THISCLOSE normally do. Even if the first song starts with a brutal guitar intro, things go into a different direction. This is midtempo hard rock/heavy metal music, rooted deeply in the first steps of the New Wave Of British Heavy Metal. You know – early Judas Priest, early Iron Maiden, noise from the end of the 70s or early 80s. 

Bottom line: Wanna read a dumb blasphemous thought? If JUDAS PRIEST would need a new singer, RODNEY SHADES could be the one. I jope you enjoy this as much as I did.”

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Categories Mastering

Mastering Sweatshop Boys " Always Polite, Never Happy"

April 1, 2015 //
0

Sweatshop Boys

Mastering Sweatshop Boys ” Always Polite, Never Happy” on Twintoe, Crapoulet, SP Records in Europe/Japan and Dirt Cult, Recess Records in the US.

Taken from Punkalovich:

“Sweatshop Boys are beginning to become more and more important in the Israeli punk scene and hopefully in the punk world in general. Consisting mostly of Haifa boys including Ofri (ex-Friday Night Sissy Fight/Barren Hope), Dean (ex-Friday Night Sissy Fight) and Itai (The Orions, The Backliners, Achim Zabari, Kuskus Records), the band also includes singing drummer and powerhouse that is Nadav (Mondo Gecko, Spit, Shifka Chiefs, Brutal Assault, Uzbecks…help if I’ve left something out!)
   Although not what everyone may consider “punk rock”, the band do know how to write catchy as hell songs about things that matter to them. Their first album, The Great Depression, really helped demonstrate the Sweatshop Boys sound and this latest EP very much continues to do the same.  All four songs are songs I recognise from shows because they are just so damn memorable.
  The EP starts off with No Pity In The City, a pogotastic anthem about moving to a big city but with no real changes. Second track, Special Mood, takes the pace down a bit with an almost 60s beat-music era jangly pop sound, equipped with organ solo and a rhythm that will have you toe-tapping away. Try Hard, again on a bit of a 60s tip but punkier, is a simple and to the point song about “wannabe scene queens” with its intoxicating “You’re not special at all Ahhhh” refrain. The funny thing about writing songs of this topic is that it could be describing people who actually come to your shows. Therefore, it is remarkably ironic when you see someone at their show who has forced themselves to learn the lyrics and stand right at the front, making sure to be heard. I think that’s what I love about it, whether intentional or not. Last track, Slow Dive, leans off the social commentary a bit and instead focuses on a positive message about taking life easy. The band informs us that “Sometimes you got to let it go” and instruct us to “go with the flow.” Good advice, there, my friends! All songs have this fun vibe about them, almost definitely due to how everyone in the band gets a chance to sing and sing together, making everything sound more anthemic. 

   I kind of remember somewhere near the start of the band’s career that I didn’t really pay all that much attention to them. I wasn’t really keen on the Pet Shop Boys influenced name (I used to like the Pet Shop Boys) and I found it all a bit too “jingle jangly”, for want of a term. Whether the band itself has improved or my musical tastes have broadened, this new EP is a beautiful record and I hope to hear another full length later on in the year full of more catchy twist-inducing tunes.”

 

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Categories Mastering

Mastering Sweatshop Boys ” Always Polite, Never Happy”

April 1, 2015 //
0

Sweatshop Boys

Mastering Sweatshop Boys ” Always Polite, Never Happy” on Twintoe, Crapoulet, SP Records in Europe/Japan and Dirt Cult, Recess Records in the US.

Taken from Punkalovich:

“Sweatshop Boys are beginning to become more and more important in the Israeli punk scene and hopefully in the punk world in general. Consisting mostly of Haifa boys including Ofri (ex-Friday Night Sissy Fight/Barren Hope), Dean (ex-Friday Night Sissy Fight) and Itai (The Orions, The Backliners, Achim Zabari, Kuskus Records), the band also includes singing drummer and powerhouse that is Nadav (Mondo Gecko, Spit, Shifka Chiefs, Brutal Assault, Uzbecks…help if I’ve left something out!)
   Although not what everyone may consider “punk rock”, the band do know how to write catchy as hell songs about things that matter to them. Their first album, The Great Depression, really helped demonstrate the Sweatshop Boys sound and this latest EP very much continues to do the same.  All four songs are songs I recognise from shows because they are just so damn memorable.
  The EP starts off with No Pity In The City, a pogotastic anthem about moving to a big city but with no real changes. Second track, Special Mood, takes the pace down a bit with an almost 60s beat-music era jangly pop sound, equipped with organ solo and a rhythm that will have you toe-tapping away. Try Hard, again on a bit of a 60s tip but punkier, is a simple and to the point song about “wannabe scene queens” with its intoxicating “You’re not special at all Ahhhh” refrain. The funny thing about writing songs of this topic is that it could be describing people who actually come to your shows. Therefore, it is remarkably ironic when you see someone at their show who has forced themselves to learn the lyrics and stand right at the front, making sure to be heard. I think that’s what I love about it, whether intentional or not. Last track, Slow Dive, leans off the social commentary a bit and instead focuses on a positive message about taking life easy. The band informs us that “Sometimes you got to let it go” and instruct us to “go with the flow.” Good advice, there, my friends! All songs have this fun vibe about them, almost definitely due to how everyone in the band gets a chance to sing and sing together, making everything sound more anthemic. 

   I kind of remember somewhere near the start of the band’s career that I didn’t really pay all that much attention to them. I wasn’t really keen on the Pet Shop Boys influenced name (I used to like the Pet Shop Boys) and I found it all a bit too “jingle jangly”, for want of a term. Whether the band itself has improved or my musical tastes have broadened, this new EP is a beautiful record and I hope to hear another full length later on in the year full of more catchy twist-inducing tunes.”

 

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Categories Mastering

Mastering Dedwardians "Love Sick"

April 1, 2015 //
0

Dedwardians

Mastering Dedwardians “Love Sick” Single.

From Uberrock:

“With some thumping floor toms and some equally aggressive guitar work ‘Like An Animal’ is a thumping introduction to the second single released by London band Dedwardians. Fuzzed up and fucked up vocals courtesy of Paul Gautrey this is a great tune as the title and chorus refrain refuses to leave your head. The second tune possesses the blood of the Cramps with the sparse guitar lick as the song broods to a big groove that’s all primal and instinctive. Yet again another tip top release and suitably noisy, but when can we get this on vinyl lad? Anyway until that day check out the iTunes like above and enjoy another band making fantastic music that I can highly recommend.”

Recorded in London by Andy Brook.

Buy it here!

 

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Categories Mastering

Mastering Dedwardians “Love Sick”

April 1, 2015 //
0

Dedwardians

Mastering Dedwardians “Love Sick” Single.

From Uberrock:

“With some thumping floor toms and some equally aggressive guitar work ‘Like An Animal’ is a thumping introduction to the second single released by London band Dedwardians. Fuzzed up and fucked up vocals courtesy of Paul Gautrey this is a great tune as the title and chorus refrain refuses to leave your head. The second tune possesses the blood of the Cramps with the sparse guitar lick as the song broods to a big groove that’s all primal and instinctive. Yet again another tip top release and suitably noisy, but when can we get this on vinyl lad? Anyway until that day check out the iTunes like above and enjoy another band making fantastic music that I can highly recommend.”

Recorded in London by Andy Brook.

Buy it here!

 

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Categories Mastering

Remastering The Rival Mob "Hardcore for Hardcore"

March 28, 2015 //
0

Rival Mob

Remastering The Rival Mob “Hardcore for Hardcore” on Quality Control HQ Records.

“BHC modern ape hardcore done right! Originally released as a 7″ in 2010 on the back of their storming Raw Life 12″ EP, this release gets a brand new deluxe look on a new format with remaster. The band have since gone on to release their Mob Justice LP on Revelation Records, so if you missed out the first time round, here’s another chance to grab this anthem filled corker! There might be some extra goodies on there too…”

Buy it here!

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Categories Mastering

Remastering The Rival Mob “Hardcore for Hardcore”

March 28, 2015 //
0

Rival Mob

Remastering The Rival Mob “Hardcore for Hardcore” on Quality Control HQ Records.

“BHC modern ape hardcore done right! Originally released as a 7″ in 2010 on the back of their storming Raw Life 12″ EP, this release gets a brand new deluxe look on a new format with remaster. The band have since gone on to release their Mob Justice LP on Revelation Records, so if you missed out the first time round, here’s another chance to grab this anthem filled corker! There might be some extra goodies on there too…”

Buy it here!

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Mixing Nervous Twitch "Get Back In Line"

March 20, 2015 //
0

Nervous Twitch

Mixing Nervous Twitch “Get Back In Line” on Odd Box Records.

From Louder Than War:

“On the face of it, Leeds four-piece Nervous Twitch are another name in the long tradition of bands paying homage to the Ramones and their favourite 60s girl-groups via the medium of punky pop songs. And, make no mistake, that’s a perfectly fine thing to be. There’s actually a bit more to the Twitch than that might suggest, though – that extra bit of proficiency and imagination a band needs to make them stand out. Their scope is well illustrated on the current Odd Box album Get Back in Line. The previously-released This Modern World, for example, fits more readily in the post-punk category, building tension with an isolated, sinister bass before riding an expertly deployed synth line into its euphoric chorus. Tarrantino [sic] Hangover is as deliciously authentic a surf instrumental as its title suggests, while And We Did features a lovely Velvets jangle to lighten its melancholy mood. Piece of my Heart is an organ-driven gem with some killer handclaps lifting the middle eight into pop-heaven territory. I love good handclaps, me. Elsewhere there are straightforward punk stompers like In the Street (If This is the Future) and Jonny’s Got a Gun. The superbly-titled All Those Crazes and Fads Have Taken Their Toll rounds the album off in proper ’77 style. Flip the tape over and start again, if you’re quick enough to nab one that is.”

 

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Categories Mastering, Mixing

Mixing Nervous Twitch “Get Back In Line”

March 20, 2015 //
0

Nervous Twitch

Mixing Nervous Twitch “Get Back In Line” on Odd Box Records.

From Louder Than War:

“On the face of it, Leeds four-piece Nervous Twitch are another name in the long tradition of bands paying homage to the Ramones and their favourite 60s girl-groups via the medium of punky pop songs. And, make no mistake, that’s a perfectly fine thing to be. There’s actually a bit more to the Twitch than that might suggest, though – that extra bit of proficiency and imagination a band needs to make them stand out. Their scope is well illustrated on the current Odd Box album Get Back in Line. The previously-released This Modern World, for example, fits more readily in the post-punk category, building tension with an isolated, sinister bass before riding an expertly deployed synth line into its euphoric chorus. Tarrantino [sic] Hangover is as deliciously authentic a surf instrumental as its title suggests, while And We Did features a lovely Velvets jangle to lighten its melancholy mood. Piece of my Heart is an organ-driven gem with some killer handclaps lifting the middle eight into pop-heaven territory. I love good handclaps, me. Elsewhere there are straightforward punk stompers like In the Street (If This is the Future) and Jonny’s Got a Gun. The superbly-titled All Those Crazes and Fads Have Taken Their Toll rounds the album off in proper ’77 style. Flip the tape over and start again, if you’re quick enough to nab one that is.”

 

Tags , , ,
Categories Mastering, Mixing
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