Strange Attractor

Mastering the new Strange Attractor EP “Barely Doin’ Crime”.

Coming out on Mammoth Cave and Secret Identity Records.

“It’s hardly been long enough to recover from the initial shock of their excellent “Back To The Cruel World” LP, but Strange Attractor are already back to twist the aural knife with a new EP. “Barely Doin’ Crime” is a suitably damaging successor, its six tracks running the gamut from psychotic creepycrawly dirge to speedy hardcore rant, the default position an off-kilter churn of driving rhythm and drunken buzzing treble that manages to stay unpredictable and surprising but never sounds remotely forced. Frontman Jeff Houle spits out his neurosis like a northern Ontario Doc Dart, and the fusion of voice, lyrics and music just drips menace, negativity, aggression and paranoia.”

 

Shiny Brown

Mixing Shiny Brown.

“High five! Our 7” STRAWBERRIES will be released by Kink Records and Meta Matter Records next month. The song above is one out of seven “songs of total fastcore mayhem, combined with slower and punkier parts. A thick and hammering bass, crazy and unconventional guitar playing, fast-as-hell-drumming and a vocalist screaming on the top of his lungs.” (meta matter records)”

 

One Way Ticket 7

Check out my article from the February’s One Way Ticket Zine.

As you may have heard North London Bomb Factory has a column each issue featuring bands that I have been working on.

The new issue (#8) is at the press now and out soon. Make sure you grab a copy, especially if you’ve had your record mixed or mastered here.

OWT Column 7

Joya

Mastering Joya‘s primo EP.

Recorded at the splendid Sound Savers Studio London.

Check out the Feature in this weeks New Musical Express.

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Crown_Court_medium

Mastering Crown Court “Trouble From London” on Quality Control HQ.

Get yourself a copy here!

“New London Oi! band going for the traditional UK sound we know and love.”

 

Rhythm of Cruelty

Mastering Rhythm of Cruelty “Dysphoria” LP on Edmonton’s Crude City Records.

What they had to say about their last EP:

“Well, Canada’s Rhythm of Cruelty have named themselves after one of my favorite songs of all time (by the almighty Magazine), so they’ve got a lot to live up to here, and I must say they do it. Definitely in the post-punk / goth vein that’s all the rage right now, like my favorites in this style (Pleasure Leftists, Savages), Rhythm of Cruelty concentrate on the more melodic, even anthemic end of this dark sound. If you dig Pleasure Leftists (particularly their great recent 12″ on Deranged), you’ll definitely want to pick this one up.”

Unmastered

 

Mastered

 

Secret Prostitutes Crooked Bangs

Mastering the Secret Prostitutes / Crooked Bangs – Split EP on Erste Theke Tonträger.

“Two bands located in Texas, one was singing in French, the other in Indonesian and I’m gonna put out a Split 7“ for them… Do you know which bands I’m talking about!? If not, here is the answer: Crooked Bangs and Secret Prostitutes. After their stunning first record, Crooked Bangs approach their sound in a way that is sinister but also inviting, a veil of gloom — courtesy of Ginestra’s foreboding vocals and Wendel’s snappy guitar work — with an inducing rhythm section. There are elements of ’70s punk and ’60s garage rock lurking throughout, but these influences don’t override their own ideas. The upfront person is vocalist/bassist Leda Celeste Ginestra, who sings like she discovered punk in the catacombs of a Parisian cabaret. Alternating between French and English lyrics, Ginestra brings uncommon depth and richness to macabre depictions of blood castles and flesh-ripping wolves. At the same time, she’s quick to morph into guttural, Linda Blair-style screeching when the song demands it. Guitarist Samantha Wendel cuts the clutter in favor of finding the perfect surf-goth tone, while drummer Phillip Gonzalez plows through the anxious night like a pepped-up trucker. On the flip there will be the mysterious reincarnation of KBD Punk. In my opinion there’s no introduction needed! You just have to know that the KBD spirit of the band and the music fit genuinely into the era of the style. They would fit perfectly into the early Houston punk scene of bands looking for a place to play. The beat and Indonesian lyrics will cause you to tap your boot, shake your ass and scratch your head while you’re banging it. But it will always make you smile, unlike your KGB counterparts who haven’t been this confused since trying to understand the argot of contempt sung secretively by bands behind the Iron Curtain.”

 

heavy nukes

Mastering Heavy Nukes “2nd EP” on Rawmantic Disasters and Static Age Records.

“After the brilliant debut “7ep, here we go with the next strike!!! Again, 8 incredible raw brutal Swedish Oldschool Hardcore tunes in the vein of Shitlickers and Anti Cimex!!! No compromises on this one, just pure Swedish “Ultra Mega Raw” Hardcore!!!”

 

Crimen

Mixing Crimen’s new LP “El Problema eres Tú” on  Discos Enfermos, Discos MMM and Dogma Destroyer.

“HC punk band from mexico city.”

Don’t let the lack of description cause you to skip listening to this. One of my favourite records to have worked on this year!

 

Mother's Children

Mastering the new Mother’s Children LP “Lemon” on Taken By Surprise Records, Mammoth Cave Recording Co., Resurrection Records, and SP Records.

Read what they said about their ARE YOU TOUGH ENOUGH EP

“Canada seems to be the new fertile ground for smashing powerpop. MOTHER’S CHILDREN hail from Ottawa, the same place as great bands like SEDATIVES, STEVE ADAMYK BAND (who they share a member with), WHITE WIRES and many others are from and keep making me go GAGA. This 6 track 12” is the follow up to their well received THAT’S WHO! LP on DERANGED. Dirk Klotzbach from OX put it this way (I fully agree!):
I really hope that you all followed my call up from OX # 92 in the meanwhile and have bought yourself a copy of MOTHER`S CHILDREN “That´s Who” Debut LP. So just to make it clear once again, there is no excuse ! The same as great as mentioned LP is this follow-up 12″ from the Canadians. Power Pop Glam´n´Roll driven to perfection that should be spinning on your record player multiple times a day and that still is on a par with it´s musical archetypes. Take your personal hits from the first three Powerpearls Compilations add it up with the two episodes of Killed By Glam, listen to “Milk & Alcohol” and “She´s A Windup” by DR. FEELGOOD once again, don´t forget your BOYS, STIFFS and FAST CARS records and imagine you would be warped right back to the Seventies where you would be seeing all those bands live on stage, because this is the moment when you realize that you are dancing and beerspitting right in front of the stage of a MOTHER`S CHILDREN show. Maybe you´ll even meet Noddy Holder or Gary Holton there on your timewarp.””